Erie Effects: May, 2011 – Panning

Erie Effects: 7/7 – Drift Away (Pan) Mixing Session

J-45 Rhythm (6/30 – Take 2)

Mackie Reverb – Medium Plate:  Blend @ 50%; Pre-Delay @ 5 ms; Decay @ 2.3 sec; Damping @ 50%; Diffusion @ 6; Roll-off @ 17.8 kHz; EQ – Band 1 @ -14.6 dB / 129 Hz; Band 2 @ +3.4 dB / 2.5 kHz; Band 3 @ +.4 dB @ 6.47 kHz; Dry Mix @ 75%;  Output @ 0 dB

Mackie Stereo Compressor – Classic Compressor:  Threshold @ -17.5 dB; Attack @ 2.0 ms; Release @ 1048 ms; Ratio @ 2.00:1; Output @ -1.5 dB

D’Anglelico New Yorker Lead (7/6 – Take 12)

MDA Stereo:  Width @ 80 comb; Delay @ 10.08075 ms; Balance @ 0; Modulation – Off; Rate @ 3.162277 sec.

Mackie Compressor – Guitar Snap:  Threshold @ -13.5 dB; Attack @ 18.3 ms; Release @ 248 ms; Ratio @ 4:1; Output @ -1.5 dB

Stereo Output

Acuma Final Mix

Erie Effects: Drift Away Sessions 7/5 & 7/6

BPM @ 92

D’Anglico New Yorker – Compression @ 100% ; Mic @ 0%

Tape Echo – Time @ 326 ms; Feedback @ 40%; Bass @ 61%; Treble @ 46%; Mix @ 21%

Analog Chorus – Speed @ 1.25 kHz; Depth @ 66%; Bass @ 50%; Treble @ 50%; Mix @ 25%

EQ – Band 1 @ 95 Hz / -7.0 dB; Band 2 @ 250 Hz / 0.0 dB; Band 3 @ 1.6 kHz / +3.4 dB; Band 4 @ 4.6 kHz / +1.4 dB

Erie Effects: May, 2011 – West

Erie Effects: May, 2011 – North

Erie Effects: May, 2011 – East

Erie Effects: Drift Away Solo Mix

Gibson J45 – Compression @ 50%; Mic @ 30%

Mackie Reverb:  Medium Plate – Blend @ 50%; Pre Delay @ 5 ms; Decay @ 2.3 sec; Damping @ 50%; Diffusion @ 6; Roll-off @ 17.8 kHz; Dry Mix @ 80%

Mackie Mono Compressor:  Classic Compression – Threshold @ 17.5 dB; Attach @ 2 ms; Release @ 1048 ms; Gain @ 2:1; Output @ 5

Acuma Final Mix:  Gentle Compression – Output + 6 dB; Band 1 @ 0 / 58 Hz / 4.42; Band 2 @ 0 / 749 Hz / 6.00 ; Band 3 @ 0 / 848 Hz / 4.33 ; Crossover 1 – 12 dB @ 315 Hz; Crossover 2 – 12 dB @ 3.17 kHz

Erie Effects: 5/14 Drift Away Sessions

BPM = 92

Guild F412

Track 1:  Comp – 80 / Mic – 0

Track 2:  Comp – 80 / Mic – 0

Track 3:  Comp – 50 / Mic – 50

Track 4:  Comp – 50 / Mic – 100

Stella Auditorium 12

Track 1:  Comp – 80 / Mic – 0

Track 2:  Comp – 80 / Mic – 0

Track 3:  Comp – 50 / Mic – 50

Track 4:  Comp – 50 / Mic – 100

Gibson Tracks

Track 1:  J-45 / Comp – 50 / Mic – 30

Track 2:  J-45 / Comp – 80 / Mic – 80

Track 3:  J-45 / Comp – 30 / Mic – 0

Track 4:  SJ-2000 / Comp – 50 / Mic – 0

Martin Tracks

Track 1:  D-21 / Comp – 60 / Mic – 0

Track 2:  000-28 / Comp – 60 / Mic – 0

Track 3:  5-17 / Comp – 60 / Mic – 50

Track 4:  Manuel Velazquez / Comp – 50 / Mic – 100

12/28/2010 — Drift Away Mudcat Recording Session

Track #1 – D21, Mic-100/Comp-0

Track #2 – D21, Mic-50/Comp-10

Track #3 – J45, Mic-100/Comp-30

Track #4 – J45, Mic-50/Comp50, Take #2

Track #5 – J45, Mic-50/Comp50, Take #1

 

Scratch Mix

Track #1 =  J45 50/50 – V=-4.8/P=-L449; Reverb = Bright Small Hall w/ 85% dry Mix

Track #2 = J45 100/0 – V=-4.8/P=R449; Reverb = Bright Small Hall w/ 85% dry Mix

Track #3 = D21 100/0 – V= -5.0/P = L780; Delay = 8ms @ -6db with 85% wet

Track #4 = D21 50/50 – V= -5.0/P = L780; Delay = 8ms @ -6db with 85% wet

Final Mix = 1) Acuma Final Mix; 2) Acuma Leveler; 3) Smooth Out #2

12/27/2010 — Drift Away Mudcat Recording Session

Evaluate Model selection & Direct Input vs. Input via PodXT.

Click Track:  BIAB Style – Folk/Peaceful; 95 BPM

Track 1 – Martin 5-17, 20% Compression, 100% Sound Hole, Direct In, Mono

Track 2 – Martin 000-28, 20% Compression, 100% Sound Hole,Direct In, Mono

Track 3 – Martin D-21, 30% Compression, 100% Sound Hole,Direct In, Mono

Track 4 – Gibson J-45, 30% Compression, 100% Sound Hole,Direct In, Mono

Track 5/6 – Martin D-21, 30% Compression, PodXT In, Stereo; PM-Var F-Pick

Track 7/8 – Gibson J-45; 30% Compression, PodXT In, Stereo, PM-Var F-Pick