Electron Alley

Oops — I Never Saw It Do That Before . . . .

Archive for the ‘Dephying the Laws of Phyzics’ Category

Erie Effects: June, 2011 – West

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Erie Effects: June, 2011 – North

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Erie Effects: June, 2011 – East

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Erie Effects: 7/13 Stickmen in the Park Mixing Session

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Drums

Mackie Stereo Channel — Big Bass 1

Compressor:  Threshold @ -22.5 dB; Attack @ 12.6 ms; Gain @ 4.2 dB; Ratio @ 1.45:1; Release @ 99.3 ms; Key – In

Key Filter:  101 Hz — High Pass

EQ Band 1:  +2.3 @ 59 Hz / Q = .85; Band 2:  -2.0 dB @ 258 Hz / Q = .73; Band 3:  1.8 dB @ 3.11 kHz / Q = .57; Band 4:  +1.9 @ 11.4 kHz / Q = High Shelf

Output @ +1.5

Bass

Mackie Stereo Channel — Drum Buss Preset

Compressor:  Threshold @ -16.5 dB; Attack @ 10.4 ms; Gain @ 2 dB; Ratio @ 1.66:1; Release @ 138 ms; Key – In

Key Filter:  109 Hz — High Pass

EQ Band 1:  -4.4 @ 119 Hz / Q = Low Shelf; Band 2:  -0.1 dB @ 312 Hz / Q = .62;  Band 3:  3.4 dB @ 1.5 kHz / Q = .62; Band 4:  +0.0 @ 5.0  kHz / Q = High Shelf

Output @ -7.5

Rhodes

Mackie Stereo Compressor – Classic Compressor:  Threshold @ -17.5 dB; Attack @ 2.0 ms; Release @ 1048 ms; Ratio @ 2:1; Output @ -1.5 dB

Reverb:  Room Size @ 3; Damping @ 31%; Wet Mix @ 0%; Dry Mix @ 0%; Width @ 100%;

Rhythm Guitar

Mackie Stereo Compressor – Guitar Snap:  Threshold @ -13.5 dB; Attack @ 18.30 ms; Release @ 246 ms; Ratio @ 4:1; Output @ 0 dB

Reverb:  Room Size @ 3; Damping @ 31%; Wet Mix @ 0%; Dry Mix @ 0%; Width @ 100%;

 Telecaster Lead

Mackie Stereo Compressor – Classic Compressor:  Threshold @ -17.5 dB; Attack @ 2.0 ms; Release @ 1048 ms; Ratio @ 2:1; Output @ +3.0 dB

Stereo Output

Acuma Final Mix – Final Mix Setting:

Erie Effects: 7/12 Stickmen in the Park Recording Session

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Telecaster: Neck Pick-up
Set up: Mud-Seltzer
Fender Tweed Bassman: Drive @ 17%; Bass @ 5%; Mid @ 65%; Treble @ 84%; Presence @ 4%; Channel Volume @ 76%;
Cabinet Mic: SM57 on Axis @ 40%
Compressor: Threshold @ -47 dB; Gain @ 5 dB
Sine Chorus: Speed @ 3.74 Hz; Depth @ 25%; Bass @ 50%; Treble @ 79%; Mix @ 43%
Analog Delay: Time @ 267 ms; Feedback @ 50%; Modulation @ 0%; Depth @ 0%; Mix @ 27%
Reverb – Standard Spring: Dwell @ 25%; Tone @ 29%; Mix @ 25%

Erie Effects: May, 2011 – Panning

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Erie Effects: 7/7 – Drift Away (Pan) Mixing Session

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J-45 Rhythm (6/30 – Take 2)

Mackie Reverb – Medium Plate:  Blend @ 50%; Pre-Delay @ 5 ms; Decay @ 2.3 sec; Damping @ 50%; Diffusion @ 6; Roll-off @ 17.8 kHz; EQ – Band 1 @ -14.6 dB / 129 Hz; Band 2 @ +3.4 dB / 2.5 kHz; Band 3 @ +.4 dB @ 6.47 kHz; Dry Mix @ 75%;  Output @ 0 dB

Mackie Stereo Compressor – Classic Compressor:  Threshold @ -17.5 dB; Attack @ 2.0 ms; Release @ 1048 ms; Ratio @ 2.00:1; Output @ -1.5 dB

D’Anglelico New Yorker Lead (7/6 – Take 12)

MDA Stereo:  Width @ 80 comb; Delay @ 10.08075 ms; Balance @ 0; Modulation – Off; Rate @ 3.162277 sec.

Mackie Compressor – Guitar Snap:  Threshold @ -13.5 dB; Attack @ 18.3 ms; Release @ 248 ms; Ratio @ 4:1; Output @ -1.5 dB

Stereo Output

Acuma Final Mix

Erie Effects: Drift Away Sessions 7/5 & 7/6

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BPM @ 92

D’Anglico New Yorker – Compression @ 100% ; Mic @ 0%

Tape Echo – Time @ 326 ms; Feedback @ 40%; Bass @ 61%; Treble @ 46%; Mix @ 21%

Analog Chorus – Speed @ 1.25 kHz; Depth @ 66%; Bass @ 50%; Treble @ 50%; Mix @ 25%

EQ – Band 1 @ 95 Hz / -7.0 dB; Band 2 @ 250 Hz / 0.0 dB; Band 3 @ 1.6 kHz / +3.4 dB; Band 4 @ 4.6 kHz / +1.4 dB

Erie Effects: May, 2011 – West

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Erie Effects: May, 2011 – North

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