Electron Alley

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Posts Tagged ‘Line 6

Project Mojo Video – Black Magic Woman at Riverside Pub

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Direct Ins: Roland TD11-K-S Electric Drums; Pedal Board -> Marshall JMV410H; Line 6 Pod HD500; Markbass CMD102P; Yamaha S03 Keyboard; Sure SM58 mikes

Behringer X2442 Mixer -> BBE 362 Sonic Maximizer -> Behringer MDX2600 Compressor -> Bose L1 Model II (x2)

Written by M.T. Bass

December 22, 2012 at 7:32 pm

Project Mojo Video – Call Me the Breeze at Riverside Pub

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Direct Ins: Roland TD11-K-S Electric Drums; Pedal Board -> Marshall JMV410H; Line 6 Pod HD500; Markbass CMD102P; Yamaha S03 Keyboard; Sure SM58 mikes

Behringer X2442 Mixer -> BBE 362 Sonic Maximizer -> Behringer MDX2600 Compressor -> Bose L1 Model II (x2)

Written by M.T. Bass

December 20, 2012 at 11:16 am

Erie Effects: Drift Away Solo Mix

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Gibson J45 – Compression @ 50%; Mic @ 30%

Mackie Reverb:  Medium Plate – Blend @ 50%; Pre Delay @ 5 ms; Decay @ 2.3 sec; Damping @ 50%; Diffusion @ 6; Roll-off @ 17.8 kHz; Dry Mix @ 80%

Mackie Mono Compressor:  Classic Compression – Threshold @ 17.5 dB; Attach @ 2 ms; Release @ 1048 ms; Gain @ 2:1; Output @ 5

Acuma Final Mix:  Gentle Compression – Output + 6 dB; Band 1 @ 0 / 58 Hz / 4.42; Band 2 @ 0 / 749 Hz / 6.00 ; Band 3 @ 0 / 848 Hz / 4.33 ; Crossover 1 – 12 dB @ 315 Hz; Crossover 2 – 12 dB @ 3.17 kHz

Erie Effects: 6/9/ – Jig Ransom Mix

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Track 1 – Drums:  Mackie Stereo Channel Strip – Drum Kit/Ambient Mics Pre-set

Track 2 – Bass

Track 3 – Acoustic Rhythm:  Tracktion reverb – Room Size @ 4; Damping @ 50%; Wet Mix @ 0 dB; Dry Mix @ 0 Db; Width @ 100%

Track 4 – Piano:  Tracktion reverb – Room Size @ 4; Damping @ 50%; Wet Mix @ -3.86 dB; Dry Mix @ 0 Db; Width @ 100%

Track 5 – J200 Rhythm Slide – Mackie Mono Compressor – Classic Compressor Preset

Track 6 – J200  Slide Lead – Mackie Mono Compressor – Guitar Snap Preset

Track 7 – Telecaster Rhythm

Track 8 – Stratocaster Lead  &  Les Paul Jr. Slide Lead

Erie Effects: Jig Ransom 6/8 & 6/9 Sessions

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Rhythm Guitar:  Telecaster – Neck & Bridge Pickups ; PodXT:  Mud-Seltzer

Tweed Bassman:  Drive @ 17%; Bass @ 37%; Mid @ 65%; Treble @ 84%; Presence @ 4%; Channel @ 76%; SM57 on Axis on 40% Room

Compression:  -47 dB  @ 5 dB

Sine Chorus:  Speed @ 2.0 Hz; Depth @ 25%; Bass @ 50%; Treble @ 79%; Mix @ 43%

Analog Delay:  500 ms; Feedback @ 50%; Mod Speed @ 0%; Depth @ 0%; Mix @ 27%

Reverb:  Standard Spring – Dwell @ 0%; Tone @ 29%; Mix @ 25%

Lead Guitar:  Stratocaster – Middle & Bridge Pickups; PodXT:  Mud-Paisley

Vox A30:  Drive @ 26%; Bass @ 100%; Mid @ 100%; Treble @ 89%; Presence @ 53%; Channel Volume @ 59%; SM57 On Axis 30% room

Compression:  Threshold @ -36 dB; Gain @ 3dB

Blue Compressor:  Sustain @ 75%; Level @ 100%

Tube Echo Delay:  250 ms; Feedback @ 13%; Flut @ 21%; Drive @ 2%; Mix @ 17%

Reverb:  Chamber – Pre @ 53%; Decay @ 16%; Tone @ 44%; Mix @ 46%

Lead Slide:  Les Paul Jr; PodXT – Eruption:

Marshall Plexi/Variax Drive @ 100; Bass @ 100; Mid @ 100; Treble @ 100;  Presence @ 87; Channel @ 90; SM57 on Axi & 48% Room;

Gate:   Threshold @ -50 dB, Decay @ 6%;

Phaser:  .17 Hz, Feedback @ 0%, Mix @ 38%;

Analog Delay:  399 ms; Feedback @ 39%; Treble @ 50%; Bass @ 50%; Mix @ 29%

Reverb:  Large Plate – Pre @ 50%; Decay @50% ; Tone @ 50%; Mix @ 60%

EQ:  55 Hz @ -3.4 dB; 1kHz @ 5 dB; 4.8 kHz @ .8 dB; 9.3 kHz @ -3.4 dB

Erie Effects: 5/14 Drift Away Sessions

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BPM = 92

Guild F412

Track 1:  Comp – 80 / Mic – 0

Track 2:  Comp – 80 / Mic – 0

Track 3:  Comp – 50 / Mic – 50

Track 4:  Comp – 50 / Mic – 100

Stella Auditorium 12

Track 1:  Comp – 80 / Mic – 0

Track 2:  Comp – 80 / Mic – 0

Track 3:  Comp – 50 / Mic – 50

Track 4:  Comp – 50 / Mic – 100

Gibson Tracks

Track 1:  J-45 / Comp – 50 / Mic – 30

Track 2:  J-45 / Comp – 80 / Mic – 80

Track 3:  J-45 / Comp – 30 / Mic – 0

Track 4:  SJ-2000 / Comp – 50 / Mic – 0

Martin Tracks

Track 1:  D-21 / Comp – 60 / Mic – 0

Track 2:  000-28 / Comp – 60 / Mic – 0

Track 3:  5-17 / Comp – 60 / Mic – 50

Track 4:  Manuel Velazquez / Comp – 50 / Mic – 100

Erie Effects: 5/14 Jig Ransom Session

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