Electron Alley

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Posts Tagged ‘Variax

Erie Effects: Drift Away Solo Mix

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Gibson J45 – Compression @ 50%; Mic @ 30%

Mackie Reverb:  Medium Plate – Blend @ 50%; Pre Delay @ 5 ms; Decay @ 2.3 sec; Damping @ 50%; Diffusion @ 6; Roll-off @ 17.8 kHz; Dry Mix @ 80%

Mackie Mono Compressor:  Classic Compression – Threshold @ 17.5 dB; Attach @ 2 ms; Release @ 1048 ms; Gain @ 2:1; Output @ 5

Acuma Final Mix:  Gentle Compression – Output + 6 dB; Band 1 @ 0 / 58 Hz / 4.42; Band 2 @ 0 / 749 Hz / 6.00 ; Band 3 @ 0 / 848 Hz / 4.33 ; Crossover 1 – 12 dB @ 315 Hz; Crossover 2 – 12 dB @ 3.17 kHz

Erie Effects: 6/9/ – Jig Ransom Mix

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Track 1 – Drums:  Mackie Stereo Channel Strip – Drum Kit/Ambient Mics Pre-set

Track 2 – Bass

Track 3 – Acoustic Rhythm:  Tracktion reverb – Room Size @ 4; Damping @ 50%; Wet Mix @ 0 dB; Dry Mix @ 0 Db; Width @ 100%

Track 4 – Piano:  Tracktion reverb – Room Size @ 4; Damping @ 50%; Wet Mix @ -3.86 dB; Dry Mix @ 0 Db; Width @ 100%

Track 5 – J200 Rhythm Slide – Mackie Mono Compressor – Classic Compressor Preset

Track 6 – J200  Slide Lead – Mackie Mono Compressor – Guitar Snap Preset

Track 7 – Telecaster Rhythm

Track 8 – Stratocaster Lead  &  Les Paul Jr. Slide Lead

Erie Effects: Jig Ransom 6/8 & 6/9 Sessions

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Rhythm Guitar:  Telecaster – Neck & Bridge Pickups ; PodXT:  Mud-Seltzer

Tweed Bassman:  Drive @ 17%; Bass @ 37%; Mid @ 65%; Treble @ 84%; Presence @ 4%; Channel @ 76%; SM57 on Axis on 40% Room

Compression:  -47 dB  @ 5 dB

Sine Chorus:  Speed @ 2.0 Hz; Depth @ 25%; Bass @ 50%; Treble @ 79%; Mix @ 43%

Analog Delay:  500 ms; Feedback @ 50%; Mod Speed @ 0%; Depth @ 0%; Mix @ 27%

Reverb:  Standard Spring – Dwell @ 0%; Tone @ 29%; Mix @ 25%

Lead Guitar:  Stratocaster – Middle & Bridge Pickups; PodXT:  Mud-Paisley

Vox A30:  Drive @ 26%; Bass @ 100%; Mid @ 100%; Treble @ 89%; Presence @ 53%; Channel Volume @ 59%; SM57 On Axis 30% room

Compression:  Threshold @ -36 dB; Gain @ 3dB

Blue Compressor:  Sustain @ 75%; Level @ 100%

Tube Echo Delay:  250 ms; Feedback @ 13%; Flut @ 21%; Drive @ 2%; Mix @ 17%

Reverb:  Chamber – Pre @ 53%; Decay @ 16%; Tone @ 44%; Mix @ 46%

Lead Slide:  Les Paul Jr; PodXT – Eruption:

Marshall Plexi/Variax Drive @ 100; Bass @ 100; Mid @ 100; Treble @ 100;  Presence @ 87; Channel @ 90; SM57 on Axi & 48% Room;

Gate:   Threshold @ -50 dB, Decay @ 6%;

Phaser:  .17 Hz, Feedback @ 0%, Mix @ 38%;

Analog Delay:  399 ms; Feedback @ 39%; Treble @ 50%; Bass @ 50%; Mix @ 29%

Reverb:  Large Plate – Pre @ 50%; Decay @50% ; Tone @ 50%; Mix @ 60%

EQ:  55 Hz @ -3.4 dB; 1kHz @ 5 dB; 4.8 kHz @ .8 dB; 9.3 kHz @ -3.4 dB

Erie Effects: 5/14 Drift Away Sessions

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BPM = 92

Guild F412

Track 1:  Comp – 80 / Mic – 0

Track 2:  Comp – 80 / Mic – 0

Track 3:  Comp – 50 / Mic – 50

Track 4:  Comp – 50 / Mic – 100

Stella Auditorium 12

Track 1:  Comp – 80 / Mic – 0

Track 2:  Comp – 80 / Mic – 0

Track 3:  Comp – 50 / Mic – 50

Track 4:  Comp – 50 / Mic – 100

Gibson Tracks

Track 1:  J-45 / Comp – 50 / Mic – 30

Track 2:  J-45 / Comp – 80 / Mic – 80

Track 3:  J-45 / Comp – 30 / Mic – 0

Track 4:  SJ-2000 / Comp – 50 / Mic – 0

Martin Tracks

Track 1:  D-21 / Comp – 60 / Mic – 0

Track 2:  000-28 / Comp – 60 / Mic – 0

Track 3:  5-17 / Comp – 60 / Mic – 50

Track 4:  Manuel Velazquez / Comp – 50 / Mic – 100

Erie Effects: 5/14 Jig Ransom Session

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Erie Effects: 5/12 Jig Ransom Session/Mix

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BPM = 102

Martin D21:  Track 7 = A-

Martin 5-17:  Track 1 = B+  / Track 2 = A-

Dobro 1-8:  Track 5 = B; Dobro 9-16:  Track 3 = B+ / Track 4 = B

Gibson SJ2000:  Track 2 = B

National Steel:  Track 5 = B- / Track 7 = B

Mix with Dobro Track 3:  Acuma Leveler; MDA Stereo; Mackie Reverb:  Miked Small Slap Room Default

Erie Effects: 4/27 White Thunder Session/Mix

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Acoustic – J-45
Keyboards – Hammond B-3
V300 – Firebird/Bridge Pickup
PodXT – “Run Like Hell”

Mix — Acuma Final Mix on output

Written by M.T. Bass

April 28, 2011 at 7:25 pm

Erie Effects: 4/1 White Thunder Mix

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R = -11.75 dB ; Pan 100%;  L = -12.5 dB; Pan 100%

Final Mix:  A) Final Mix setting @ – 3 dB setting; Traction Output @ +1.5 dB;  B) CD Master Setting for 0 dB

Written by M.T. Bass

April 3, 2011 at 8:17 pm

Erie Effects: 3/31 White Thunder Session

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J45: 50% Compression; 75% Sound Hole Mic

Analog Chorus: Speed – 1.0 Hz; Depth – 58%; Bass – 47%; Treble – 61%; Mix – 24%

Digital Delay: Time – 500 ms; Feedbac – 43%; Bass – 65%; Treble – 48%; Mix – 20%

Reverb – Rich Chamber: Predelay – 50%; Decay – 50%; Tone – 57%; Mix – 44%

EQ: -7.4 db @ 65 Hz; +3.0 dB @ 140 Hz; +6.0 dB @ 1.4 kHz; +2.0 dB @ 5.0 kHz

Written by M.T. Bass

March 31, 2011 at 7:20 pm

Erie Effects: 3/26 Bottom Feeder Blues Mix

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Rhythm Track:  3/21 Take 3

Lead Track:  3/23 take 12

Slide Track:   3/24 Dobro Takes 1 & 2

Drums:   Final Mix – “Drums” as is; Mackie Stereo Reverb:  Small Bright Room @ 60% Dry Mix

Bass:  Mackie Stereo Channel – Pumpy Bass Preset

Rhythm 000-028:  Mackie Stereo Channel – EQ:   -9dB @ 36 Hz; 0 dB @ 295 Hz;  +6 dB @ 1.29 khz; +7.5 dB @ 5.28 kHz; Compression:  Threshold @ -21 dB; Rate @ 2.5:1; Attack @ 17.3 ms; Release @ 205 ms; Mackie Stereo Reverb: Small Bright Plate @ 85% Dry Mix

Dobro:  Mackie Stereo Channel – EQ:  -7.5 db @ 51, +3.8 dB @ 449, +3.8 @ 2.05 kHz, 3.8 dB @ 9.45 kHz; No Compression; Mackie Stereo Reverb Small Bright Plate @ 90% Dry Mix

Mastering Mix with Acuma Final Mix Preset